As the COVID-19 Culture Recovery Fund opens, will hibernation or adaptation be the best long-term survival strategy? (Originally published on 11 August 2020 at www.toksdada.com)
Growing up in East Manchester, concert halls were a haven â€“ a home away from home. Some of my happiest moments were spent in concert halls â€“ singing in the HallÃ© Youth Choir on stage at the Bridgewater Hall for a recording of Elgarâ€™s The Dream of Gerontius, hearing Stravinskyâ€™s Firebird Suite performed live for the first time at the RNCM Concert Hall, taking a youth orchestra field-trip to the Liverpool Philharmonic Hall for pianist Kathryn Stottâ€™s 50th birthday concert and feeling totally inspired as the likes of Yo-Yo Ma and Natalie Klein performed Giovanni Sollimaâ€™s Violoncelles Vibrez! as part of a 10-piece cello ensemble alongside Sollima himself. My emotional attachment to concert halls runs deep.
Dedicated to engaging new audiences with classical music, Toks is the Classical Programme Manager at Town Hall Symphony Hall, Birmingham where, since August 2019, he has been responsible for leading the classical music programme. In September 2020, Wonderfeel â€“ the Netherlandsâ€™ biggest outdoor classical music festival â€“ announced Toks as Guest Curator for the 2021 Festival. Toks is a Board Director at Welsh National Opera, an Advisor at PRS for Music Foundation, and a Fellow of the International Society for the Performing Arts.